Apep or Apophis (Ancient Greek: Ἄποφις; also spelled Apepi or Aapep) was the ancient Egyptian deity who embodied chaos (ı͗zft in Egyptian) and was thus the opponent of light and Ma’at (order/truth). He appears in art as a giant serpent. Apep was first mentioned in the Eighth Dynasty, and he was honoured in the names of the Fourteenth Dynasty king ‘Apepi and of the Greater Hyksos king Apophis.

Ra was the solar deity, bringer of light, and thus the upholder of Ma’at. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra, and also “the Lord of Chaos”. As the personification of all that was evil, Apep was seen as a giant snake or serpent leading to such titles as Serpent from the Nile and Evil Lizard. Apophis was a large golden snake known to be miles long and had a head made of flint  He was so large that he attempted to swallow the sun every day.  Source

ANCIENT EGYPT

History of the Devil, by Paul Carus, [1900], at sacred-texts.com.

SET, OR SETH, whom the Greeks called Typhon, the nefarious demon of death and evil in Egyptian mythology, is characterised as “a strong god (a-pahuti), whose anger is to be feared.” The inscriptions call him “the powerful one of Thebes,” and “Ruler of the South.” He is conceived as the sun that kills with the arrows of heat; he is the slayer, and iron is called the bones of Typhon. The hunted animals are consecrated to him; and his symbols are the griffin (akhekh), the hippopotamus, the crocodile, the swine, the tortoise, and, above all the serpent âpapi (in Greek “apophis”) who was thought to await the dying man in the domain of the god Atmu (also called Tmu or Tum), who represents the sun below the western horizon.

Set’s pictures are easily recognised by his long, erect, and square-tipped ears and his proboscis-like snout, which are said to indicate the head of a fabulous animal called Oryx. The consort and feminine counterpart of Set is called Taour or Taourt. The Greeks called her Theouris. She appears commonly as a hippopotamus in erect posture, her back covered with the skin and tail of a crocodile.

spacer
How the Arabian ORYX was brought back from extinction in the wild

style=”border-collapse: collapse; width: 100%;”>

Apophis = Set	SET	FORMS OF TAOURT.	APAPI (APOPHIS) AND ATMU.

THE SOUL VISITING THE MUMMY. (From the Ani Papyrus) Set is often contrasted with Osiris. Set was the deity of the desert, of drought and feverish thirst, and of the sterile ocean; Osiris represents moisture, the Nile, the fertilising powers and life. Plutarch says:

“The moon (representing Osiris) is, with his fertilising and fecundative light, favorable to the produce of animals and growth of plants; the sun, however (representing Set/ Typhon/Apophis), is determined, with its unmitigated fire, to overheat and parch animals; it renders by its blaze a great part of the earth uninhabitable and conquers frequently even the moon (viz., Osiris).”

As an enemy to life, Set is identified with all destruction. He is the waning of the moon, the decrease of the waters of the Nile, and the setting of the sun. Thus he was called the left or black eye of the decreasing sun, governing the year from the summer solstice to the winter solstice, which is contrasted with the right or bright eye of Hor, the increasing sun, which symbolises the growth of life and the spread of light from the winter solstice to the summer solstice.

Set was not always nor to all Egyptians alike a Satanic deity. He was officially worshipped in an unimportant province west of the Nile, but this was the natural starting-point of the road to the northern oasis. The inhabitants, who were mostly guides to desert caravans, had good reasons to remain on friendly terms with Set, the Lord of the desert.

Further, we know that a great temple was devoted to Set, as the god of war, in Tanis, near the swamps between the eastern branches of the Delta, an important town of the frontier, and during the time of invasion the probable seat of the foreign dominion of the Hyksos and the Hyttites, who identified their own god Sutech with the Egyptian Set. But even among the Hyksos, Set was revered as the awful God of irresistible power, of brute force, of war, and of destruction.

There is an old wall-picture of Karnak, belonging to the era of the eighteenth dynasty, in which the god Set appears as an instructor of King Thothmes III. in the science of archery. 1

In spite of the terror which he inspired, Set was originally not merely an evil demon but one of the great deities, who, as such, was feared and propitiated.

Says Heinrich Brugsch (Religion und Mythologie der alten Aegypter, p. 706):

“The Book of the Dead of the ancient Egyptians and the numerous inscriptions of the recently opened pyramids are, indeed, nothing but talismans against the imagined Seth and his associates. Such is also, I am sorry to say, the greater part of the ancient literature that has come down to us.”

When a man dies, he passes the western horizon and descends through Atmu’s abode into Amenti, the Nether World. The salvation of his personality depends, according to Egyptian belief, upon the preservation of his “double,” or his “other self,” which, remaining in the tomb, resides in the mummy or in any statue of his body.

The double, just as if it were alive, is supposed to be in need of food and drink, which is provided for by incantations. Magic formulas satisfy the hunger and thirst of the double in the tomb, and frustrate, through invocations of the good deities, all the evil intentions of Set and his host. We read in an inscription of Edfu (Brugsch, Religion und Mythologie der alten Aegypter, p. 767):

The dread of hunger, thirst, and other ills, or even of destruction which their double might suffer in the tomb, was a perpetual source of fearful anticipations to every pious Egyptian. The anxiety to escape the tortures of their future state led to the embalming of the dead and to the building of the pyramids. Yet, in spite of all superstitions and the ridiculous pomp bestowed upon the burial of the body we find passages in the inscriptions which give evidence that in the opinion of many thoughtful people the best and indeed the sole means of protection against the typhonic influences after death was a life of righteousness. This is forcibly expressed in the illustration of Chapter CXXV. of the Book of the Dead, which is here reproduced according to Lepsius’s edition of the Turin papyrus. (Republished by Putnam, Book of the Dead).

The picture of the Hall of Truth as preserved in the Turin papyrus shows Osiris with the atef-crown on his head and the crook and whip in his hands. Above the beast of Amenti we see the two genii Shai and Ranen, which represent Misery and Happiness. The four funeral genii, called Amset, Hapi, Tuamutef, and Kebhsnauf, hover over an altar richly laden with offerings. The frieze shows twelve groups of uræus snakes, flames and feathers of truth; on both sides scales are poised by a baboon who is the sacred animal of Thoth, and in the middle Atmu stretches out his hands over the right and left eye, symbolising sunset and sunrise, death and resurrection.

THE WEIGHING OF THE HEART IN THE HALL OF TRUTH (After Lepsius’s reproduction of the Turin Papyrus)

THE EYE OF HORUS 

spacer

Isis, Apophis, Osiris and IAO

The writer of the ritual uses Isis Apophis and Osiris because the letters of their names equal the word of power I.A.O.  I.A.O was an important word. It was a divine name for Jupiter, the King of the Gods.  In the Mithras Liturgy IAO is associated with “fire” and “light.” It is the perfect name for “calling down the Divine White Brilliance” (think of Zeus with his lightning bolt)

The LVX/LUX  formula is a key part of the Golden Dawn system of magic. It “calls down the light” into a working and animates thought-forms, symbols and geometric shapes.  Over the years it has been proven to work,  So let’s look at the formula:

INRI

Yod, Nun, Resh, Yod

The sign of Osiris Slain

L – the Sign of Mourning Isis

V – the sign of Typhon and Apophis

X– the sign of Osiris risen

L.V.X Lux, the light of the cross! The Egyptian cross not the Cross of Yeshua

Virgo, Isis, Mighty Mother

Scorpio, Apophis Destroyer

Sol Osiris Slain and Risen

Isis, Apophis, Osiris

(the spirit Enochian names are invoked to equilibrate the force)

Let the Divine White Brilliance Descend

I.A.O.

Apophis
Apophis represents “death,” and equates to Typhon in the Egyptian myths.  However Apophis was not part of the Isis and Osiris myth. His role in Egyptian magic was not that of the destroyer “which was appropriate for Set/ Typhon but that of the grand oppose to all creation.  He was not so much death as “total oblivion” and “raw chaos.”  The temple of Karnak was dedicated to doing hourly workings to make sure that Apophis was weakened enough for Ra to defeat him.  Death was a good thing, Apophis had no redeeming qualities. Apophis was despised as the opposite to Maat and creation.  His main rival was not Isis or Osiris, but Ra.  The effect of Apophis is to wink out existence and were it not for the actions of Ra everything would cease to be.   Isis and Osiris cannot contain Apophis energy.

spacer

spacerspacer

Here I want to revisit parts of my post on the Mars Mission.  In that post, I tried to demonstrate how NASA working magic spells to turn us in to shapeshifters.  You can discern it very clearly in all of the symbolism.  I am more convinced today that is their mission.  Now they continue to pursue that, but as we have seen they are ready to create World War III, implement Total Surveillance and Cashless Society and introduce you to the ANTI-CHRIST who will rule with an iron fist in their NEW WORLD ORDER.  That is what the GLOBAL RESET is all about.
spacer

MARS MISSION 2020

Let’s start by looking at some logos.  Logos as all symbols/sigils provide valuable information as to what is being expressed or represented.  
spacer

Here we have the logos for the US Space Force.  Below them are the OFFICIAL explanations of their meanings.  Now bear in mind that these entities are not going to be very forthcoming with their intent.  So, their description and interpretation will be less than fully truthful, though they will provide clues.  We know that they are required to reveal their intentions to us, though they may be masked.

The black-and-silver service logo has the delta wing as its central element that is also found in the Space Force seal and flag. The Space Force motto “Semper Supra” means “always above.” It represents the service’s role in establishing, maintaining and preserving U.S. freedom of operations in the ultimate high ground, a Space Force spokesman said. The colors black and silver represent the environmental boundary between Earth and outer space. The silver outer border of the delta signifies defense and protection from threats in the space domain. The black area inside embodies the vast darkness of deep space. Inside the delta, the two spires represent the action of a rocket launching into the outer atmosphere. The four beveled elements symbolize the joint armed forces supporting the space mission: Air Force, Army, Navy and Marines. In the center of the delta is the Polaris star meant to symbolize the guiding light. The delta wing signifies the U.S. Space Force’s upward trajectory into space, represents the launch vehicles that send satellites into orbit, and evokes change and innovation  SOURCE: SpaceNews

The Space Command Motto is “Guardians of the High Frontier” The logo symbology is as follows: The centrally dominant globe represents the earth as viewed from space, the earth being both the origin and control point for all space satellites. The lines of latitude and longitude emphasize the global nature of Air Force space operations. The emblem is provided its distinctive appearance by two symmetric ellipses representing the orbital paths traced by satellites in earth orbit; the satellites themselves being symbolically depicted as four point stars. The 30 degree orbital inclination and symmetrically opposed placement of the satellites signify the worldwide coverage provided by Air Force satellites in accomplishing the surveillance and communications missions. The slight tapering of the orbital ellipses represents the characteristic eastward motion. The centrally superimposed deltoid symbolizes both the Air Force upward thrust into space and the launch vehicles needed to place all satellites in orbit. The distinctive dark blue background shading, small globe, and stars symbolize the space environment.   SOURCE: Airforce Space Command

Theta (uppercase Θ, lowercase θ or ϑ; Greek: Θήτα [Theta]) is the eighth letter of the Greek alphabet, derived from the Phoenician letter Teth. It has a value of 9 in the Greek numeric system.

In a Hubbard Communications Office bulletin, L. Ron Hubbard claims:

“A THETAN is, of course, a Scientology word using the Greek “Theta” which was the Greek symbol for thought or life.

_{Source: HCO BULLETIN OF 5 FEBRUARY 1970, HUBBARD COMMUNICATIONS OFFICE, L. RON HUBBARD”}

I find this very hard to believe. The only symbolic use of the letter I know of is as an abbreviation of the word “θάνατος” (thanatos, death) when voting for the death penalty in classical Athens.

I do not consider Mr. Hubbard’s writings a source of historically accurate information. However, it seems that a significant amount of people believe he knew what he was talking about. Hence, the question: Was the letter theta used to symbolize “thought or life”, or anything other than death at any point in ancient Greece?   Source

Theta-Delta

Theta-Delta is the most widely used symbol in representing Therianthropy. The symbol consists of two Greek letters layered on top of each other: the Delta and the Theta characters. Both characters are typically depicted in the same color against a contrasting single color background, and may be styled further by intertwining the letters.

These symbols can be drawn in any number of configurations. They can be manipulated in size, shape, angle, and direction.

TO this point we can recognize that the elites are working magick spells to bring about CHANGE.  The changes apparently will affect our thought our thought life, or perhaps even control our minds. Moreover, we see that the changes will be in the areas of mathematics, science, finance, and genetics. We also know that there is death involved. Let’s go a little deeper…

Basic Greek Delta/Vector	Basic Greek Theta	Theta horizontally expressed

Today, we see many adaptations of the basic design across the internet. The symbol is often turned into unique charms with personal significance to the person wearing it.

Left: One version of the Unified Theta-Delta Symbols.

Left: Another version of the Theta-Delta expressing the same meaning.

Theta-Delta  VIEW SOURCE

Theta-Delta is the most widely used symbol in representing Therianthropy. The symbol consists of two Greek letters layered on top of each other: the Delta and the Theta characters. Both characters are typically depicted in the same color against a contrasting single color background, and may be styled further by intertwining the letters.

   Slavasesh: With nearly two decades of involvement in the Therian/otherkin and furry communities, Vyacheslav “Slava” лисий has made it his personal mission to help others awaken to their own identities – be that human, otherkin, therian, or… whatever.

As of 2013, Slava began an online community known as “Fox Haven” – a place for anyone whom could tolerate each other – with the intention of spreading awareness about nonhuman identity to others, chiefly those whom identify as human.

Slava, January 2014: “Education is the key to understanding, understanding the key to tolerance, and tolerance is necessary for acceptance.   

 (SO, this has been their goal, to get you to tolerate and accept non-human entities. Worse, for you to become one by exploring this abomination.  This is nothing more or less than demon possession.  OR WORSE, mingling of your DNA with non human forms, including fallen angels.)

Therianthropy  – From Wikipedia, the free encyclopedia

Therianthropy is the mythological ability of human beings to metamorphose into other animals by means of shapeshifting. It is possible that cave drawings found at Les Trois Frères, in France, depict ancient beliefs in the concept. The best-known form of therianthropy is found in stories of werewolves.

Valkyries, having shed their swan skins, appear as swan maidens	Old Werewolf drawing by CoonDog69 on DeviantArt

The werewolf folklore Their underlying common origin can be traced back to Proto-Indo-European mythology, where lycanthropy is reconstructed as an aspect of the initiation of the warrior class.
(The Word of God tells us that it was the Fallen Angels who taught humanity to make War and make WEAPONS! )

This is reflected in Iron Age Europe in the Tierkrieger depictions from the Germanic sphere, among others. The standard comparative overview of this aspect of Indo-European mythology is McCone (1987).^[5] Such transformations of “men into wolves” in pagan cult were associated with the devil from the early medieval perspective.

The concept of the werewolf in Western and Northern Europe is strongly influenced by the role of the wolf in Germanic paganism (e.g. the French loup-garou is ultimately a loan from the Germanic term), but there are related traditions in other parts of Europe which were not necessarily influenced by Germanic tradition, especially in Slavic Europe and the Balkans, and possibly in areas bordering the Indo-European sphere (the Caucasus) or where Indo-European cultures have been replaced by military conquest in the medieval era (Hungary, Anatolia).^{[clarification needed]}

Etymology

The term “therianthropy” comes from the Greek theríon [θηρίον], meaning “wild animal” or “beast” (implicitly mammalian), and anthrōpos [ἄνθρωπος], meaning “human being”. It was used to refer to animal transformation folklore of Europe as early as 1901.^[1] Sometimes the term “zoanthropy” is used instead.^[2]

Therianthropy was used to describe spiritual beliefs in animal transformation in a 1915 Japanese publication, “A History of the Japanese People from the Earliest Times to the End of the Meiji Era”.^[3] One source, “The Human Predator”,(HUNTER) raises the possibility the term may have been used as early as the 16th century in criminal trials of suspected werewolves.^[4]

History of therianthropy and theriocephaly

Therianthropy refers to the fantastical, or mythological, ability of some humans to change into animals.^[5] Therianthropes are said to change forms via shapeshifting. Therianthropy has long existed in mythology, and seems to be depicted in ancient cave drawings^[6] such as The Sorcerer, a pictograph executed at the Palaeolithic cave drawings found in the Pyrénées at the Les Trois Frères, France, archeological site.

‘Theriocephaly‘ (Gr. “animal headedness”) refers to beings which have an animal head attached to an anthropomorphic, or human, body; for example, the animal-headed forms of gods depicted in ancient Egyptian religion (such as Ra, Sobek, Anubis).

Mythology of human shapeshifting

Main article: Shapeshifting

A frog changes into a princess in the painting Tsarevna Frog (“The Frog Princess”) by Viktor Vasnetsov.

Lycanthropy, the transformation of a human into a wolf (or werewolf), is probably the best known form of therianthropy, followed by cynanthropy (transformation into a dog) and ailuranthropy (transformation into a cat).^[7] Werehyenas are present in the stories of several African and Eurasian cultures. Ancient Turkic legends from Asia talk of form-changing shamans known as kurtadams, which translates to “wolfman”.^{[citation needed]} Ancient Greeks wrote of kynanthropy, from κύων kyōn^[8] (or “dog”), which applied to mythological beings able to alternate between dog form and human form, or who possessed combined dog and human anatomical features.

The term existed by at least 1901, when it was applied to stories from China about humans turning into dogs, dogs becoming people, and sexual relations between humans and canines.^[9] Anthropologist David Gordon White called Central Asia the “vortex of cynanthropy” because races of dog-men were habitually placed there by ancient writers. The weredog or cynanthrope is also known in Timor. It is described as a human-canine shapeshifter who is capable of transforming other people into animals, even against their will.

European folklore features werecats, who can transform into panthers or domestic cats of an enlarged size.^[10] African legends describe people who turn into lions or leopards, while Asian werecats are typically depicted as becoming tigers.

Skin-walkers and naguals

Main articles: Skin-walker and Nagual

Some Native American and First Nation legends talk about skin-walkers—people with the supernatural ability to turn into any animal they desire. To do so, however, they first must be wearing a pelt of the specific animal. In the folk religion of Mesoamerica, a nagual (or nahual) is a human being who has the power to magically turn themselves into animal forms—most commonly donkeys, turkeys, and dogs—but can also transform into more powerful jaguars and pumas.

Animal ancestors

In the Irish Mythological Cycle, the Children of Lir could transform into swans.

Stories of humans descending from animals are found in the oral traditions for many tribal and clan origins. Sometimes the original animals had assumed human form in order to ensure their descendants retained their human shapes; other times the origin story is of a human marrying a normal animal.

North American indigenous traditions mingle the ideas of bear ancestors and ursine shapeshifters, with bears often being able to shed their skins to assume human form, marrying human women in this guise. The offspring may be creatures with combined anatomy, they may be very beautiful children with uncanny strength, or they may be shapeshifters themselves.^[11]

P’an Hu is represented in various Chinese legends as a supernatural dog, a dog-headed man, or a canine shapeshifter that married an emperor’s daughter and founded at least one race. When he is depicted as a shapeshifter, all of him can become human except for his head. The race(s) descended from P’an Hu were often characterized by Chinese writers as monsters who combined human and dog anatomy.^[12]

In Turkic mythology, the wolf is a revered animal. The Turkic legends say the people were descendants of wolves. The legend of Asena is an old Turkic myth that tells of how the Turkic people were created. In the legend, a small Turkic village in northern China is raided by Chinese soldiers, with one baby left behind. An old she-wolf with a sky-blue mane named Asena finds the baby and nurses him. She later gives birth to half-wolf, half-human cubs who are the ancestors of the Turkic people.^[13][14]

Shamanism

Ethnologist Ivar Lissner theorised that cave paintings of beings with human and non-human animal features were not physical representations of mythical shapeshifters, but were instead attempts to depict shamans in the process of acquiring the mental and spiritual attributes of various beasts.^[15] Religious historian Mircea Eliade has observed that beliefs regarding animal identity and transformation into animals are widespread.^[16]

Animal spirits

A water spirit takes on a human form in The Kelpie, a painting by Herbert James Draper.

In Melanesian cultures there exists the belief in the tamaniu or atai, which describes the animal counterpart to a person.^[17] Specifically among the Solomon Islands in Melanesia, the term atai means “soul” in the Mota language and is closely related to the term ata, meaning a “reflected image” in Maori and “shadow” in Samoan. Terms relating to the “spirit” in these islands such as figona and vigona convey a being that has not been in human form^[18] The animal counterpart depicted, may take the form of an eel, shark, lizard, or some other creature. This creature is considered to be corporeal, and can understand human speech. It shares the same soul as its master. This concept is found in similar legends which have many characteristics typical of shapeshifter tales. Among these characteristics is the theory that death or injury would affect both the human and animal form at once.^[17]

Psychiatric aspects 

Among a sampled set of psychiatric patients, the belief of being part animal, or clinical lycanthropy, is generally associated with severe psychosis, but not always with any specific psychiatric diagnosis or neurological findings.^[19] Others regard clinical lycanthropy as a delusion in the sense of the self-disorder found in affective and schizophrenic disorders, or as a symptom of other psychiatric disorders.^[20]

Modern Therianthropy

Therians are individuals who believe or feel that they are non-human animals in a spiritual sense.^[21][22] There are also others who claim to have a psychological or neuro-biological connection—rather than a spiritual one—to their creature of identification. Both often use the term “species dysphoria” to describe their feelings of disconnect from their human bodies and their underlying desire to live as their stated creature.^[23]

The therian and vampire subcultures are related to the otherkin community, and are considered part of it by most otherkin, but are culturally and historically distinct movements of their own, despite some overlap in membership.^[23]

The Picture to the Left is taken from Pinterest.  It is a witches/wiccan sigil used in spell casting to increase the magickal power of your spell. I find it very interesting that the Vector used for all of the world’s space agencies is VERY similar to the vector in this sigil. Whether they were designed after this sigil or not, I can’t help but consider that they do invoke the same magickal results when used for the casting of the SPACE spell over the people of the world.

Let’s take a look at some of the SPACE logos for our nation.
—

A faithful recreation of the Jet Propulsion Laboratory‘s first insignia for the Mars 2020 mission. The insignia is an outlined circle, with the Earth and Mars depicted in between the outline of a transfer orbit. The outline extends out to write two “2”s, with the planets combining with them to vertically spell out “2020”. Mars also acts as the Perseverance rover‘s SuperCam instrument, with its mast depicted behind the planet. The Mars 2020 mission is intended to be the successor to the Mars Science Laboratory mission, which has operated the Curiosity rover on Mars since its launch in 2011. Perseverance will land in Jezero crater to study the past environment of Mars using scientific instruments specialised in studying soil and materials on Jezero’s delta, which once saw large flows of water pass through millions of years ago. Recreated in Inkscape 0.92, based off imagery featured in JPL’s Mars 2020 store.	THE OFFICIAL NASA SEAL The official NASA seal is reserved for use in connection with the NASA Administrator. It is used in more formal traditional and ceremonial events such as award presentations and press conferences. According to NASA Headquarters, the seal should never be used with the NASA insignia, since the two elements are intended for different purposes and are visually incompatible when seen side by side. In the NASA insignia design, the sphere represents a planet, the stars represent space, the red chevron, in the alternate shape of the constellation Andromeda[citation needed] , is a wing representing aeronautics (the latest design in hypersonic wings at the time the logo was developed), and then the orbiting spacecraft going around the wing. It is known officially as the insignia.[7]	From the moment we first set eyes on our sparkling sky, there was no going back. We had to know what lay beyond our planet and when we found out, we had to know more. Our curiosity and perseverance have put us into space, on the moon and now: to Mars. For the 2020 launch of the Mars Rover, NASA asked House of van Schneider to design a symbol capturing the energy and legacy of space travel, while celebrating the engineers who worked tirelessly on this mission At once an abstract representation of the iconic rover and blocks reaching up to the sky, the logomark works as beautifully on the rover as it does on a 191-foot tall rocket ship.

spacer

These 2020 Rocket Launchings are all dedicated to COVID 19, they are not about outer space.  They are about setting up the surveillance system and preparing the atmosphere for the arrival of the fallen and the inhabitation of demons.

I don’t know how many people even heard of this particular launch.  I certainly never did until I was researching the most recent one.  This took place just over a couple months earlier. 

spacer

BLACK AND WHITE dualism –From Wikipedia, the free encyclopedia

The contrast of white and black (light and darkness, day and night) has a long tradition of metaphorical usage, traceable to the Ancient Near East, and explicitly in the PythagoreanTable of Opposites. In Western culture as well as in Confucianism, the contrast symbolizes the moral dichotomy of good and evil. (This is done in black and white because duality is what they are pushing as perfection.  Accepting that everyone is both good and bad, so there are no absolutes of right and wrong, nor is there any male and female; according to their teaching.)

BLACK

Black is associated with power, elegance, formality, death, evil, and mystery.

Black is a mysterious color associated with fear and the unknown (black holes). It usually has a negative connotation (blacklist, black humor, ‘black death’). Black denotes strength and authority; it is considered to be a very formal, elegant, and prestigious color (black tie, black Mercedes). In heraldry, black is the symbol of grief.

Black gives the feeling of perspective and depth, but a black background diminishes readability.  Black contrasts well with bright colors. Combined with red or orange – other very powerful colors – black gives a very aggressive color scheme.   Source

Black has always symbolized death and the underworld, yet it equally symbolizes authority and power. Quite ironically, with all the implied power behind it, black implies submission, which is why priests often wear this color to signify their submission to God. A more widely known use of the color black is to depict negativity and evil, hence the color of Dracula’s cape.   Source

Black absorbs and hides and creates confusion and chaos. Black brings discord and confusion within the enemy. Black controls the base chakra, the planet Saturn, the earth element and the original religions, Satanic alchemy, black represents the step into the void of meditation and transformation.    Source

WHITE

White is associated with light, goodness, innocence, purity, and virginity. It is considered to be the color of perfection.

White means safety, purity, and cleanliness. As opposed to black, white usually has a positive connotation. White can represent a successful beginning. In heraldry, white depicts faith and purity.

In advertising, white is associated with coolness and cleanliness because it’s the color of snow. You can use white to suggest simplicity in high-tech products. White is an appropriate color for charitable organizations; angels are usually imagined wearing white clothes. White is associated with hospitals, doctors, and sterility, so you can use white to suggest safety when promoting medical products. White is often associated with low weight, low-fat food, and dairy products.   Source

So, in my opinion, they used only black and white on this plate to promote duality. And to add the sense of safety and cleanliness to their medical theme. It also forbodes death/destruction as in the coming chaos.  It demands submission.

spacer

The orbital circle on the plate seems to me to represent the Ouroboros.  More snake symbology.  Signifying the dominion of Satan.  

Ouroboros  Link: https://occult-world.com/ouroboros/

(Ouroborus by Mystic Chackra)

Ouroboros (uroboros) Ancient symbol of a Serpent biting its tail, forming a circle. The name ouroboros comes from the Greek terms oura, meaning “tail,” and boros, meaning “devourer.” The “tail-devourer” represents the eternal cycle of birth, death, and rebirth. (this promotes the belief in REINCARNATION, which is NOT A CHRISTIAN belief.)The ouroboros is an important symbol in Alchemy and Magic.(As this is a very important magick spell, I am assuming they would employ this symbol to invoke the most power.) Origins of the Ouroboros The origins of the ouroboros can be traced to ancient Moon cults. The Moon served as timekeeper—especially of the eternal, cyclical nature of time—and fertilizer of life on Earth below. Because the Moon waxed and waned, it became a symbol of birth, death, and regeneration. Lunar deities were often associated with a devouring snake or dragon, which, after swallowing the Moon, became the mother of the Moon’s rebirth. The ancient Egyptians depicted the goddess Buto as a cobra; in fact, the hieroglyph for goddess is a cobra. Buto protected ISIS and her son Horus, the sun god. Similarly, every individual in Egypt was protected by a personal snake spirit that symbolized their lifetime and their survival into the afterlife. In her form of the pharaoh’s crown (CORONA), Buto was called the uraeus and was the symbol of the pharaoh’s power. She was most commonly depicted by the Egyptians as a serpent surrounding a solar disk. She was also depicted with the hieroglyph shen, a circle resting on a line that represents the Sun’s orbit and thus eternal life. Perhaps the first true Egyptian depiction of the ouroboros comes from the tomb of Seti I, in which a carving shows the sun god lying on his back in a house surrounded by an ouroboros. Such art was intended to ensure the immortality of the deceased. The third shrine of the sarcophagus of Tutankhamen shows the deceased in a stylized profile with one ouroboros encircling his head and another encircling his feet. The oldest Greek creation myth, the Pelasgian, says that Eurynome, the goddess of all things, emerged from Chaos; the north wind created Ophion, the great serpent. Mating with Ophion, Eurynome then took the form of a dove and created the world EGG, which Ophion encircled seven times. The egg hatched all things in creation. (This is what Lady GaGa’s egg ritual was all about.) The Orphics (sixth and seventh centuries B.C.E.), who believed in Reincarnation, had variations of the Orphic egg myth. The Orphic cult, which strove to free the divine aspect of the soul that was imprisoned in the body, paved the way for Western mystery cults. In classical times, the Greeks identified Chronos (Time) with the Earth-encircling river, Oceanos, that also encircled the universe in the form of a serpent with the zodiac on its back. In the Hermetic philosophy that arose in Hellenistic Egypt, the ouroboros became a symbol of the underlying unity of spirit. The Gnostics, who believed the world to be at the center of the universe, believed that the ouroboros, or world serpent, marked the boundary between the world and the pleroma of heaven. Some Gnostics equated the world serpent with the evil demiurge (or Satan) who created the world and guards the gateway of escape. Gnostics equated the demiurge with the God of the Old Testament, the Alpha and Omega (the letter omega is similar in form to the Egyptian hieroglyph shen). For the Naassenes and Ophite Gnostic sects, the ouroboros was equated with the serpent in the Garden of Eden. A hero rather than villain, the serpent helped Adam and Eve defy the demiurge Jehovah and obtain the first gnosis (knowledge) by eating the fruit from the Tree of Knowledge. Later, the serpent came to represent the guardian of the Tree of Life and therefore the gatekeeper to immortality. In Roman mythology, the ouroboros was associated with Saturn, the god of time, who joined together the first and last months of the year like the serpent swallowing its tail. Saturn swallowed his children, and, with his scythe, symbolized the devouring of life or mortality. In Renaissance Europe, Saturn continued to be associated with the ouroboros, and his scythe became the symbol of death. This association continued into more modern times, and the ouroboros came to decorate numerous Art Nouveau calendars. The Ouroboros in Alchemy and Magic In alchemy the fundamental message of the ouroboros is the changing of one thing into another, ultimately yielding “All is One.”It is a symbol for Mercurius and the union of opposites.(There you go, you see, this symbolism on the logo is to promote the shapeshifting changing of our DNA.) One of the oldest alchemical texts created in Hellenistic Egypt and included in the 11th-century Codex Marcianus, contains an image of the ouroboros. It symbolizes the underlying unity of the elusive Prima Materia, which exists in all matter and is simultaneously the beginning and goal of the Great Work. It is the Philosopher’s Stone, the vehicle for obtaining immortality, and it also represents the cyclical nature of the alchemical process, which is the union of the male and the female principles, their destruction, and their resurrection and reunification. The Codex Marcianus ouroboros is half black and half white, like the symbol for yin and yang in Taoism, thus depicting the sexual union of opposites that continually creates the world. Later alchemical imagery shows the ouroboros as two serpents devouring each other’s tails, heightening the sexual symbolism. Another representation is two dragons fighting at each other’s throats. The male and female principles are combined in their shared blood. An ancient Greek alchemical text says: Here is the mystery. The serpent Ouroboros is the composition in which our Work is devoured and melted, dissolved and transformed. It becomes dark green from which the golden color derives. Its stomach and back are the color of saffron; its head is dark green, its four legs are the four imperfect metals [lead, copper, tin, and iron]; its three ears are the three sublimated vapors [sulphur, mercury, and salt ]. The One gives the Other its blood; and the One engenders the Other. Nature rejoices in nature; nature charms nature; nature triumphs over nature; and nature masters nature; and this is not from one nature opposing another, but through the one and the same nature, through the alchemical process, with great care and great effort. On a higher level of the Great Work, the ouroboros represents the indistinguishable and eternal flow of sulphur and mercury into one another. The permanent fusion of the two creates the Philosopher’s Stone. From alchemy, the ouroboros was absorbed into European magical and mystical philosophies of such groups as the ROSICRUCIANSand the Hermetic Order of the Golden Dawn. In dreams, the ouroboros often appears in variations such as the snake, the dragon, the egg, and the circle.  In Nordic mythology – Jörmungandr, alternately referred to as the Midgard Serpent or World Serpent, is a sea serpent , the middle child of Loki and the giantess Angrboða. According to the Prose Edda, Odin took Loki‘s three children, Fenrisúlfr, Hel and Jörmungandr. He tossed Jörmungandr into the great ocean that encircles Midgard. The serpent grew so big that he was able to surround the Earth and grasp his own tail, and as a result he earned the alternate name of the Midgard Serpent or World Serpent.

spacer

Inside a 5-million-year-old sinkhole in Tennessee, at a spot dubbed Gray Fossil Site, scientists have unearthed the fossilized remains of an ancient “winged serpent” among hundreds of other snake bones.  SourcePhoto Credit

Serpent (symbolism)  – From Wikipedia, the free encyclopedia

The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin serpens, a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to mankind^[1][2]and represent dual expression^[3]of good and evil.^[4]

Snakes symbolized the umbilical cord, joining all humans to Mother Earth. The Great Goddess often had snakes as her familiars—sometimes twining around her sacred staff, as in ancient Crete—and they were worshiped as guardians of her mysteries of birth and regeneration.^[6]

Symbolic values frequently assigned to serpents

Fertility and rebirth

Historically, serpents and snakes represent fertility or a creative life force. As snakes shed their skin through sloughing, they are symbols of rebirth, transformation, immortality, and healing.^[7] The ouroboros is a symbol of eternity and continual renewal of life.

The serpent represents sexual desire.^[8] According to some interpretations of the Midrash, the serpent represents sexual passion.^[9] In Hinduism, Kundalini is a coiled serpent.^[10]

Vengefulness and vindictiveness

Following Christian tradition, serpents are connected with lies, vengefulness and vindictiveness:

and I will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel.

— Genesis 3:15 NRSV

This connection also depends in part on the experience that venomous snakes often deliver deadly defensive bites without giving prior notice or warning to their unwitting victims.

Serpents and dragons are used interchangeably, having similar symbolic functions. The venom of the serpent is thought to have a fiery quality similar to a fire spitting dragon. The Greek Ladon and the Norse Níðhöggr (Nidhogg Nagar) are sometimes described as serpents and sometimes as dragons. In Germanic mythology, serpent (Old English: wyrm, Old High German: wurm, Old Norse: ormr) is used interchangeably with the Greek borrowing dragon (OE: draca, OHG: trahho, ON: dreki). In China and especially in Indochina, the Indian serpent nāga was equated with the lóng or Chinese dragon. The Aztec and Toltec serpent god Quetzalcoatl also has dragon like wings, like its equivalent in K’iche’Maya mythologyQ’uq’umatz (“feathered serpent”), which had previously existed since Classic Maya times as the deity named Kukulkan.

Medusa and the other Gorgons were vicious female monsters with sharp fangs and hair of living, venomous snakes whose origins predate the written myths of Greece and who were the protectors of the most ancient ritual secrets. The Gorgons wore a belt of two intertwined serpents in the same configuration of the caduceus. The Gorgon was placed at the center, highest point of one of the pediments on the Temple of Artemis at Corfu.

Asclepius, the son of Apollo and Koronis, learned the secrets of keeping death at bay after observing one serpent bringing another (which Asclepius himself had fatally wounded) back to life with healing herbs. To prevent the entire human race from becoming immortal under Asclepius’s care, Zeus killed him with a bolt of lightning. Asclepius’ death at the hands of Zeus illustrates man’s inability to challenge the natural order that separates mortal men from the gods. In honor of Asclepius, snakes were often used in healing rituals. Non-poisonous snakes were left to crawl on the floor in dormitories where the sick and injured slept. The Bibliotheca claimed that Athena gave Asclepius a vial of blood from the Gorgons. Gorgon blood had magical properties: if taken from the left side of the Gorgon, it was a fatal poison; from the right side, the blood was capable of bringing the dead back to life. However, Euripides wrote in his tragedy Ion that the Athenian queen Creusa had inherited this vial from her ancestor Erichthonios, who was a snake himself and had received the vial from Athena. In this version the blood of Medusa had the healing power while the lethal poison originated from Medusa’s serpents.

Symbolism in Modern medicine

See also: Caduceus as a symbol of medicine

The Star of Life features a Rod of Asclepius. is a blue, six-pointedstar, outlined with a white border and usually featuring the Rod of Asclepius in the center.  It is now a recognized symbol of Emergency Medical Services in multiple countries.	Staff of Hermes the Caduceus Vector banner with a hand drawn illustration of a Caduceus with an octagonal star. The staff of Hermes with two snakes with wings against the background of an old illegible manuscript. Medical symbol

Snakes entwined the staffs both of Hermes (the caduceus) and of Asclepius, where a single snake entwined the rough staff. On Hermes’ caduceus, the snakes were not merely duplicated for symmetry, they were paired opposites. (This motif is congruent with the phurba.) The wings at the head of the staff identified it as belonging to the winged messenger, Hermes, the Roman Mercury, who was the god of magic, diplomacy and rhetoric, of inventions and discoveries, the protector both of merchants and that allied occupation, to the mythographers’ view, of thieves. It is however Hermes’ role as psychopomp, the escort of newly deceased souls to the afterlife, that explains the origin of the snakes in the caduceus since this was also the role of the Sumerian entwined serpent god Ningizzida, with whom Hermes has sometimes been equated.

In Late Antiquity, as the arcane study of alchemy developed, Mercury was understood to be the protector of those arts too and of arcane or occult “Hermetic’ information in general. Chemistry and medicines linked the rod of Hermes with the staff of the healer Asclepius, which was wound with a serpent; it was conflated with Mercury’s rod, and the modern medical symbol—which should simply be the rod of Asclepius—often became Mercury’s wand of commerce.

(Now I understand why they went from using the Caduceus to the staff of Asclepius.  Just as the Two World Towers became ONE WORLD Trade, this is related to the TWO becoming one.  The merging of the Male and Female, the good and evil, the dark and light.   So now they are promoting the one snake staff of healing.  But we know that either one of these staffs is not of GOD.  They are seeking to heal through MAGICK arts taught by Fallen Angels.  To be worshiped and venerated above GOD.)

Poison and medicine

Serpents are connected with poison AND medicine. The snake’s venom is associated with the chemicals of plants and fungi^[11][12][13] that have the power to either heal, poison (again, duality, heal or harm, black or white, good or evil) or provide expanded consciousness(This is not expanded consciousness but rather alternate consciousness, it is a removal of the veil that protects us from interaction with demons.  When we enter an altered state we are communing with demonic spirits.) (and even the elixir of life and immortality) (this again is demonic, they want you to find eternal life aside from GOD.  Trust me you do not want to have eternal life in Satans world.) through divine intoxication (divine intoxication is an oxymoron). Because of its herbal knowledge and entheogenic association the snake was often considered one of the wisest animals, (granted, the serpent is wise, even the bible says “be wise as a serpent, but be gentle as a lamb.)  being (close to the) divine. (The divinity here is with a lower case god, the fallen angels who elevated themselves to godhood, and thus are denied redemption.)Its divine aspect combined with its habitat in the earth between the roots of plants made it an animal with chthonic properties connected to the afterlife and immortality. The deified Greek physician Asclepius, as god of medicine and healing, carried a staff with one serpent wrapped around it,which has become (in place of the caduceus)the symbol of modern medicine. Moses also had a replica of a serpent on a pole, the Nehushtan, mentioned in Numbers 21:8.   (One must remember that all of these are from the viewpoint of the Pagan.  Even the bible reference here because it is misinterpreted.  The fiery serpent that God told Moses to put up on pole and lift it up before the people so they would be healed, was a representation of Christ being lifted up as a stand in for our sins.  Because God said that he who hangs on a tree is CURSED and he said that CHRIST became the curse for us.  That snake on the pole, was Satan, the CURSED ONE.  It was not a snake that brought their healing, it was the redemption of Christ on the Cross represented.)
spacer

Are you beginning to see how medicine, drugs and the COVID Plandemic ties in with the NEW WORLD ORDER AGENDA and the EVIL ELITE?
spacer

Mars animation on Twitter The picture to the left was snipped from the video.  It is captured from a twitter video that was broadcast the day of the launch on twitters site whenever anyone clicked on a certain link. There is not much for us to glean from this but I find the colors very revealing.  The shark is traveling around the globe in the same orbital circle as shown in the other logos, so once again it represents the Ouroboros.

Shark Symbol

The shark is a symbol meaning terror and violence, in the West, it is the world’s greatest predator, and therefore symbolizes power and fearlessness.

Sailors have had a long tradition of putting shark tattoo symbol to prove that they are not afraid of death at sea and also for protection by the shark. But they believed if a shark followed ones ship, then one of them was about to die. As a sacred animal, its power and strength were respected but not feared. It was a totem in first Nations in North America and it represented a hunter because it had the ability to adapt and survive various environments.

In Australia, the shark is respected and is considered a sacred symbol of the connection between the sea and land.  When humans look at a shark even in drawings, it tends to be a sleek beautiful creature but we cannot deny the fact that its one of the most feared and respected creatures on earth. Source

Now let’s look at the colors on this logo: We find Red or RedOrange in the Globe, Silver or gray in the Shark, Yellow or Gold in the flames of the exhaust. 

RED

Red is the color of extremes. It’s the color of passionate love, seduction, violence, danger, anger, and adventure. Our prehistoric ancestors saw red as the color of fire and blood– energy and primal life forces– and most of red’s symbolism today arises from its powerful associations in the past.

Red is also a magical and religious color. It symbolized super-human heroism to the Greeks and is the color of the Christian crucifixion. Red was almost as rare and as expensive as purple in ancient days – a fact that may explain its magic and power.

Red-orange corresponds to desire, sexual passion, pleasure, domination, aggression, and thirst for action.

GOLD

Great luck, intuition, understanding, divination, fast luck, financial benefits (I think that gold will attract more money – to use the green with golden reflections for meditation on money). Gold is used for healing, happiness, authority, reputation, honor, and personal power. Use the gold to the trust, fame, success in the game, please, make sure popularity / charisma, improve health and vitality, healing, protection, success, and magical power. Gold is one of the most powerful color. Satan has a golden aura. Gold is the color of the Sun and the element fire. Satanic alchemy, gold represents perfection of the soul. Both the colors gold and white gold are seen everywhere in the hieroglyphs of ancient Egypt, temples and pyramids. Gold is the color of wealth and power.

Gold evokes the feeling of prestige. The meaning of gold is illumination, wisdom, and wealth. Gold often symbolizes high quality.

ORANGE

Creativity, enthusiasm, energy, stamina, and mighty is the color of the major changes. Orange helps with adaptability, attraction, sudden changes, stimulation, enthusiasm, creativity, energy, take control, change your luck, lobbying for justice. The Sun rules the orange. The orange chakra governs the sexual / creative (2 °), and is the element of fire.

Orange combines the energy of red and the happiness of yellow. It is associated with joy, sunshine, and the tropics. Orange represents enthusiasm, fascination, happiness, creativity, determination, attraction, success, encouragement, and stimulation.

To the human eye, orange is a very hot color, so it gives the sensation of heat. Nevertheless, orange is not as aggressive as red. Orange increases oxygen supply to the brain, produces an invigorating effect, and stimulates mental activity. It is highly accepted among young people. As a citrus color, orange is associated with healthy food and stimulates appetite. Orange is the color of fall and harvest. In heraldry, orange is symbolic of strength and endurance.

Orange has very high visibility, so you can use it to catch attention and highlight the most important elements of your design.

Dark orange can mean deceit and distrust.